Artificial intelligence has overturned many of the old rules, and the one about ‘seeing is believing’ was perhaps the first to go. Ritchin, a respected photography critic and academic, has been thinking about the interactions between traditional image-making, computer-manipulated images and AI for a long time, and in The Synthetic Eye he takes a deep dive into the subject.
Already a subscriber? Log in
Subscribe for just $2 a week
Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
Derek Parker is a freelance writer and reviewer
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in